SHARANKA: The attic box revealed the censored story of the girl who sparked the revolt. “We will not go as far as the rebellion if the weapons run out of face,” Shranka told the stunned boys, including Mordechai Annelivich, the unknown story of one of the generals of the rebellion and one man’s journey to perpetuate her history with Israel.
It is enough to look at the next video produced by the artist, philosopher, and filmmaker Ofer Aloni to understand the essence of the unprecedented story we intend to tell here.
“Why did the French not revolt? Why did the Dutch not revolt? Why the first civil revolt ever in the Nazis that started off the street, why was he actually the Jews? Because here is the conflict between the pure heart and the cold mind.”
“This is something that Yad Vashem is trying to sweep, teaching the Holocaust as ‘the intellect’ rather than the ‘heart people’, and thus indirectly cooperating with the murderers. This is how the Nazi spirit is perpetuated.
This is how the heart shoots, and the waist Aloni, founder of the “Mini Museum – Holocaust or Hope” found in “One Railway Station Yad Vashem”, as the spirit man says it with a smiling irony.
The Tel Aviv-born artist and philosopher is named after his aunt Sharanka Ofra (in Polish), who inspires and instigates the Warsaw Ghetto Uprising who, in commemoration of her name, dedicates his life after her story has been silenced and won a cold shoulder by Yad Vashem’s official historians, the Ministry of Education, and the State of Israel.
At the same time, Dirt is conducting a multi-continent effort to find Sharanka’s baby girl, Maya, who, before entering the besieged Warsaw ghetto, was handed over to a children’s home run by a number of communist women in eastern Lithuania in the hope that she could save her baby daughter from death.
The search for the rebel’s daughter, and the struggle to commemorate her paralyzed heroism, began in a red box that found dirt in 2012 that assisted his father Reuben Aloni, a former Mossad veteran during a move. “It took me a while to digest what I found. It was one of the few physical historical pieces of evidence left from the rebellion.”
But soon Dirt sought to share his findings with research institutes, and universities encountered institutional opacity – except for one man’s ears. Prof. Israel Gutman, a major Holocaust investigator in the world, who founded Yad Vashem, testified at the Eichmann trial, and who himself was a 17-year-old boy in the burning Warsaw ghetto and knew Sharanka, Gutman has died in recent years, And there.
“It is unfortunate that the Holocaust and the revolt have become a political business. They have created a Holocaust-ruled cartel of interests, and have forgotten Sharanka, instead of thanking her for sparking the rebellion – it is a sodomy measure.”
“The truth is that the older leaders fled the ghetto and fought only the young, but still the young guard and Betar movement insist on sponsoring the rebellion, turning it into a business, when in fact it was the boys who stood as one man in one heart, that last night before the revolt. Sing songs. Laugh and cry. Laugh and cry. As a Mount Sinai class where the connection was a heart-shaped alliance, and it is the whole Torah of true rebellion that is not what we are told. ”
“This is a story not 70 years ago from the Bible, why can’t you tell it? Because politicians stole it because it was controlled by technocrats whose frequency is a combination of common sense and mind, they are not the heart. In the left, now the right, everyone wants to turn the first civilian uprising in the Nazis into a political business – even though it was a rebellion of the Jewish heart in the Nazi mind, “says the artist, whose daring paintings of the Holocaust also inspired the work of personalities such as Peres and Shari Arison.
“To talk about a spiritual virtue, you need a story, and in the box with Shranka’s letters that provoked Enlivech to rebel, the story is about the main point of the entire Holocaust. The point of connecting these children at heart. Why refuse to tell him? Why not tell about the night they left the houses? And smuggle food, Professor Gutman told me so crying, all night they were in the basement of some lady named Landau whose daughter was part of the group, all night we sang and cried, we sang and cried, we sang and cried. ”
“A stranger would not understand it. It was the status of a Sinai mountain because in the state of Mount Sinai it says” Vayachan against the Mountain, “Rashi writes why he would grace? Why not park it? And he writes as one man with one heart. ”
The aforementioned dirt is commemorated within the framework of the mini-museum he founded, and paintings with deep symbolic motifs adorn the museum walls.
This author, who himself was involved in academic research in the Holocaust, must admit that Ofer grasped an original and radical idea linking the desperate youth rebellion raised by the ghetto rebels to the youth rebellion that followed in the American sixties.
The works of Sad Violin are replaced by melodies of “The Generation that Continued the Insurgency in Warsaw that began in Warsaw and ended in Woodstock, the same day the Warsaw Uprising broke out on the day that Hoffman took the first LSD in Switzerland, and where the youth revolt met LSD. If not at Woodstock? “.
“Memory in the country is ruled by a limited cartel of people, and they ignore not only the story of Sarnaka but the whole revolt, George Orwell spoke of censorship of thought, in my opinion memory censorship is more significant,” thus repeating Ofer’s famous statement by the Czech writer Milos Kundra, who fought against Soviet repression, who claimed that “the way to control the people is to erase his memory.”
Aloni contacted the President of the State, the Heritage Museum, Yad Mordechai, the Ghetto Fighters, but encountered mostly obtuse ears, “8 years I’ve been banging on the wall, and I’m going to bang my whole life because I’m dealing with the most important issue in the world, Separated, “It’s a never-ending way, even after death.”
“We are living in the worst ghetto in Warsaw today because we saw the walls in Warsaw and here you no longer know what is true and what is false and you do not see the wall you live in.”
“The root of the philosophical and psychological question lies in the fact that man is made up of two-edged conflict on the one hand, and on the other, the social need that may contradict your rare” I “, and the question of where to find the Golden Path “That’s why I set up an escape chapter in the museum with four chapters. There’s a philosophical viewpoint, an escape ghetto episode, a third episode of a rebellion, the fourth is a chapter of hope that a hopeless person is considered dead.”
“Another motive here is the fact that it is always a woman and not men who stand in the background of the great events in history. And the second motive is the hope that in the language world, a person living without it is considered dead – but few know what is hope. Hope is a mental need that cannot be realized. Depth – All people hope for a motive, that they have a reason to get out of bed, a person is set to go, and a court needs a motive, and a court needs a motive as well, and that is the evil of hope, and if they found hope in the dark place in history, maybe we will too. Ours – Holocaust or hope – you choose. ” Because the essence of man is the choice of hope or holocaust.
There are a few individual historians who determine what will be written and what will sound like a Holocaust cartel, with memory police that one man runs it and that is in Yad Vashem, as untouched as the custom in the world of study and Talmud, one person may not determine what was.
We tell the informers don’t be hopeful and remember and remember, and the name of the rebels, they say, they committed suicide as Masada, and what about their names, ghetto fighters, and the list of 51 rebels whose names are engraved in the state of Marsa I have not yet found here.
Censor the women’s contribution, because then the memory will be for women and men will stop killing on the ego.